 凝视墟尘 ——田芳芳个展 主办方：悦·美术馆 出品人：王飞跃 策展人：彭锋 展览开幕时间：4月9号15:00 展览时间：4月8号-18号 展览地点：悦·美术馆A、B厅 展览地址：北京市朝阳区酒仙桥路2号798艺术区797路B06号  《凝视墟尘》AR视频(局部图) 此次展览ARFFTTart团队成员：田芳芳 刘志超 刘志敏 安博博 吕雅利 刘书慈 赞助4个AR眼镜Nreal品牌公司 前言 积淀与升华 田芳芳一直在寻找一种方式，来表达自己的文化意识和生存感受。她从油画出发，经过壁画、雕塑、综合媒介，走向AR影像、虚拟现实、增强现实…… 田芳芳对文化特别有兴趣，或许因为研究过壁画和考古，她对文化的认识不是表面的。在她眼里，任何表面的文化现象背后都积淀着丰富的内容。心理学家荣格据此认为，人的意识深处，有一种集体无意识。尽管我们无法意识到集体无意识，但它却在我们的精神活动中扮演着重要作用。美学家李泽厚用它来解释我们的形式美感，我们之所以觉得某些抽象的形式有意义，是因为它们是从具象的图腾中慢慢演化出来的，抽象的形式中积淀了具体的情感。田芳芳从中看到的是生命的无常和渺小，无论多么伟大和顽强的生命，最终都将化作尘埃，积压成为无法辨认的集体无意识。现实何尝不是如此呢?如果说历史是时间的积压，现实更有空间的挤压和心理的压力。不知道是历史的积压意识唤醒了生命的挤压意识，还是生命的挤压意识唤醒了历史的积压意识，田芳芳对压力有一种特别的认识，这成为她艺术创作的动力。 “哪里有压迫，哪里就有反抗!”这是我们熟悉的一条毛主席语录，它可以概括田芳芳的艺术的某种特征。田芳芳要表达一种从积压中升华出来的感觉，无论压力多么沉重，无论生命多么渺小，创造都未曾臣服。借助挤扁的人体及其优雅的姿态，或许田芳芳想表达的是，只有经过挤压，生命才能迸发出力量，瞬间的美才能升华为永恒。 策展人:彭锋 北京大学艺术学院院长 Preface Accumulation and Sublimation Tian Fangfang has been searching for a way to express her cultural awareness and feelings. She started from oil painting, went through murals, sculptures, and comprehensive media, and moved towards AR imaging, virtual reality, augmented reality. Tian Fangfang is particularly interested in cultures, perhaps because she has studied murals and archaeology. Her understanding of culture is not superficial. In her opinion, there is a rich accumulation of contents behind any superficial cultural phenomenon. Psychologist Carl Jung believes that there is a collective unconsciousness in the depths of human consciousness. Although we cannot be aware of the collective unconsciousness, it plays an important role in our spiritual activities. Aestheticist Li Zehou uses it to explain our sense of beauty in form. The reason why we think certain abstract forms are meaningful is that they slowly evolve from concrete totems, and concrete emotions accumulate from abstract forms. Tian Fangfang finds the tininess and impermanence of life from them. No matter how great and tenacious one man's life may be, it will eventually turn into dust and accumulate into an unrecognizable collective unconsciousness. Isn't reality like this? If history is the accumulation of time, then reality is more squeezed by space and psychological pressure. We don't know whether the accumulation of history awakens the squeezing consciousness of life, or the squeezing consciousness of life awakens the accumulated consciousness of history. Tian Fangfang has a special understanding of stress, which becomes the driving force of her artistic creation. "Where there is oppression, there is resistance! " This is a familiar quote from Chairman Mao Zedong, which can summarize a certain characteristic of Tian Fangfang's arts. Tian Fangfang wants to express a feeling of sublimation from accumulation. No matter how big the pressure is, and no matter how tiny life may be, her arts creation has never surrendered. With the squashed human body sculptures and their elegant postures, what Tian Fangfang wants to express is that life can unleash its full strength only going through the stess, and an instant beauty can be sublimated into eternal beauty. Curator: Peng Feng The Dean of the School of Art, Peking University 部分作品展示Some works show 《凝视墟尘系列》展览现场图片 On-site photos of the exhibition "Staring at the Dust in the Market Series"      《凝视墟尘系列》创作概述 人与自然的生存环境被后工业时代破坏挤压，诗意浪漫被现实挤压，人性自由被禁锢挤压，女性被生育挤压，被环境污染挤压被社会挤压被自己挤压，变形再变形变成浪漫的形体，外表挤压变形，内里保持着优雅浪漫的骨，不管在怎样的环境下希望依然能拥有诗意优雅浪漫，悲创的优雅的废墟，揭示了人类生存的困境，作者荒诞抽象的人山相融的水泥雕塑作品，展示了环境与人的关系是生死与共的，在后工业时代科技快速发展中挤压，一个时代埋葬另一个时代，随着科技的更迭开启了新的虚拟时代的到来，作品水泥雕塑创作结合MR技术(用AR技术增强补充现实雕塑效果的技术叫MR技术)用虚拟AR科技解放被现实挤压的空间，呈现出虚拟空间的海市蜃楼的场景。 虚拟AR科技把被现实挤压的生命在虚拟空间中得到了延续和永生，绚烂的生命在慢慢消失人类文明终将变成浩瀚宇宙的尘埃。 Overview of the Creation of Gazing at the Dust Series Man and environment are squeezed by the destruction of the post-industrial era, poetic romance is squeezed by reality, and human freedom is squeezed by confinement. Women are squeezed by childbirth,environmental pollution, society, and squeezed by themselves. They are deformed and re-deformed into romantic forms. They are squeezed and deformed on the outside but maintaining elegance and romance on the inside, hoping to still have poetic elegance and romance no matter what the circumstances. The ruins of a sadly created elegance reveal the plight of human existence. The author's absurdly abstract concrete sculptures of man and mountain merging together demonstrate that the relationship between environment and man is one of life and death. Environment and human are squeezed in the rapid development of technology in the post-industrial era, with one era burying another. A new virtual era emerges as technology changes. The work cement sculpture combined with MR technology (the technology that augments the effect of real sculptures with AR technology is called MR technology) liberates the space squeezed by reality with AR technology, presenting a scene of a mirage in virtual space. The virtual AR technology perpetuates and immortalises the life squeezed by reality in the virtual space, where the splendid life is slowly disappearing and human civilization will eventually turn into the dust of the vast universe.  《当代风景墟尘系列三》 材质：水泥综合材料 长130cmX高70cm厚35cm 2023年 "Dust Series 3 of Contemporary Scenery Market" Material: cement comprehensive material Length 130cmX height 70cm thickness 35cm2023  《当代风景墟尘系列二》材质：水泥综合材料 长152cmX高100cm厚40cm 2023年 "Dust Series 2 of Contemporary Scenery Market" Material:cement comprehensive material Length 152cmX height 100cm thickness 40cm2023  《当代风景墟尘系列一》 材质：水泥综合材料 长170cmX高86cm厚52cm 2023年 "Dust Series 1 of Contemporary Scenery Market"Material:cement comprehensive material Fei yue mei mu Length 170cmX height 86cm thickness 52cm2023  《当代风景墟尘系列七》 材质：水泥综合材料 长160cmX高95cm厚20cm 2023年 "Dust Series 6of Contemporary Scenery Market" Material:cement comprehensive material Length 160cmX height 95cm thickness 20cm2023  《当代风景墟尘系列六》材质：水泥综合材料 长170cmX高180cm厚50cm 2023年 Contemporary Landscape Ruins Dust Series 7" Material:cement comprehensive material Length 170cmX height 180cm thick 50cm2023 雕塑是用水泥红砖块制作而成，水泥是后工业时代的标志产物也是伴随着创作者成长也是人们随处可见的材质，水泥材质具有一定的社会公共属性，用水泥制作的人和山的形象相融合，人和山都有许多残破的地方都用红色砖块制作而成，比喻被挤压破坏后漏出鲜红的血肉，表达后工业时代人与自然社会环境之间的关系的探索，山的形象来自莫高窟唐代山水壁画获得创作灵感。用AR眼镜扫描现实雕塑群可以看到虚拟空间中，8件水泥雕塑从原始的灰尘幻化成泥土然后幻化成为山又幻化为人最终变成塑雕作品，植物在雕塑破损的地方生长缠绕，然后植物随着雕塑破裂而慢慢变枯萎，雕塑崩塌然后碎片散落一地又幻化为泥土变成灰尘飘向星空。想要表达环境和人的生存环境是一体的同生共灭，一切人类文明在历史的长河里终将变成尘埃。虚拟AR技术增强了现实雕塑空间，丰富了雕塑的内容表达。思考人类文明与公共空间之间的关系。 The sculpture is made of cement red bricks. Cement is a product of the post-industrial era and a material that has grown up with its creator and can be seen everywhere. The cement material features certain social and public, and the figures of man and mountain made of cement blend together. Both man and mountain have many broken parts, and both are made of red bricks, metaphorically bright red flesh and blood after being crushed and destroyed, expressing the exploration of the relationship between man and the natural social environment in the post-industrial era. The image of the mountain was inspired by the Tang Dynasty landscape murals in the Mogao Caves. Scanning the real sculptures with AR glasses reveals a virtual space where the eight concrete sculptures transform from dust into clay, then into mountains, then into people, and finally into sculptures. Plants grow and entwine around the broken sculptures, then slowly wither as the sculptures break down and collapse. The pieces of sculptures are scattered and transformed into dirt and then dust that drifts into the stars. The sculpture is an expression of the fact that the environment and human existence are one, and that all human civilization will eventually turn into dust in the long history. The virtual AR technology enhances the real sculpture space, enriches the content expression of the sculpture and contemplates the relationship between human civilization and public space.  《当代风景系列》材质:综合材料 50x50cm 2021年 Contemporary Landscape Series" Material: comprehensive material 50x50cm2021  《当代风景系列》材质:综合材料 80X80cm 2021年 Contemporary Landscape Series" Material: comprehensive material 80X80cm 2021  《当代风景系列》材质:综合材料 60X50cm 2021年 Contemporary Landscape Series Material: Comprehensive Material 60X50cm 2021  艺术家布展图片 Artists exhibit pictures 艺术家简介  田芳芳 毕业于中央美术学院本科、研究生 个人展览 2014年 《无处存在》卡斯泰罗925画廊 威尼斯意大利 《疑路花开》名泰空间青年100画廊 北京中国 2021年《从泥土到尘埃》中央美术学院 重要展览简历 2023年《迎新春军博新征美术作品收藏展》中国人民革命军事博物馆 北京 2022年《庆祝中国人民解放军95周年全国美术作品展览第15届全军美术作品展》中国美术馆 北京2021年新视点中国青年艺术家优秀作品展 毛里求斯中国文化中心 非洲 中国青年优秀作品邀请展 中外文化交流中心 马来西亚 2020年 当代青年+艺术展海外巡展 中外交流中心 悉尼 2019年 当代青年+艺术展海外巡展,中外文化交流中心罗马尼亚 参加建国70周年第十四届全军美术作品展 第十三节全国美展第四届全国壁画大展 河南美术馆 中国 青年艺术+优秀作品海外巡展 首尔 韩国 《孤独的少年》土耳其美术馆 卡拉奇 土耳其 《净化-中国当代艺术邀请展》葡萄牙东方博物馆 西班牙 2018年 青年艺术+优秀作品海外巡展斯德哥尔摩 瑞典 《寻源 》雷伊斯国立美术馆 葡萄牙 《夏之梦》保利巡展 北京·中国 2017年 一带一路主题系列-穿越 中国文化中心曼谷 泰国 巴西双年展-青春叙事 巴拉那州库里提巴 巴西 东京博览会 东京·日本 2016年 The Migration of Fission 巴黎法国 《左西右东》中美文化交流展 酒泉博物馆 甘肃 中国 青年艺术家推广计划年度大展 当代艺术文献展 北京 2015年 international artists Christmas Exhibition 柏林 保利“艺起来”国际艺术博览会 山水美术馆 北京 中国 保利十年庆典之夜 现当代艺术部 农业展览馆 北京 2014年 《万物生》中国美术馆 北京 中国 《写实与观念》南通美术馆 江苏 中国 《写实与观念》多伦美术馆 上海 中国 2013年 《敦煌灵感当代中国艺术的再创》华美协进社中国美术馆 纽约 美国 上海青年美术大展 中华艺术宫 刘海粟美术馆 上海·中国 艺术100 青年艺术家推广计划 北京、深圳、上海、香港 2012年 《造型十年》中央美术学院美术馆 北京 中国 获奖证书： 2020年获得中国文联青年文艺创作计划项目立项 2019年获得国家艺术基金青年艺术家创作计划项目立项 2016年《寻源系列》获得国家艺术基金-英才计划青年艺术家推广计划 2013年《万物生》获得2013上海青年美术大展新星奖 《万物生》获得明圆艺术教育优秀青年艺术家奖 2012年《寻源》获得银奖 今日美术馆 2007年《青春系列》获得二等奖 中央美术学院 期刊：《中央美院上世纪五六十年代壁画临摹研究活动纪略》中国美术报 作品收藏: 中央美术学院美术馆,上海刘海粟美术馆,今日美术馆,山东省美术馆,济南市美术馆,中国人民革命军事博物馆,纽约华美协进社中国美术馆,德国柏林美术馆,意大利卡斯泰罗美术馆等。 Tian FangfangGraduated from the Central Academy of Fine Arts. Solo Exhibitions In 2014 Nowhere" Casterot 925 Gallery Venezia Italia Ning Lu Hua Kai Mingtai Space Youth 100 Gallery Beijing ChinaFrom dirt to dust, Central Academy of Fine Arts, 2021 Resume of important exhibition China People's Revolutionary Army, 2023 "Welcome to the New Year's Military Blog and New Collection Exhibition of Art Works"Museum of Things Beijing In2022 Celebrating the 95th anniversary of the China People's Liberation Army, the 15th National Art Exhibition. Art Exhibition, China Art Museum, Beijing. In 2021 New Viewpoint China Young Artists Excellent Works Exhibition MaojiaqiusiChina Cultural Center Africa China Youth Excellent Works Invitational Exhibition Chinese and Foreign Cultural Exchange Center Malaysia the year of 2020 Contemporary Youth+Art Exhibition Overseas Tour Chinese and Foreign Exchange Center Sydney 2019 Contemporary youth+art exhibition overseas tour, Romania, China-foreign cultural exchange center, participated. The 14th Art Exhibition of the Whole Army in the 70th Anniversary of the Mission. Section 13 National Art Exhibition The 4th National Wall National Exhibition China, Henan Art Museum Youth Art+Excellent Works Overseas Tour Seoul Korea Lonely Boys Turkish Art Museum Karachi Turkey Purification-China Contemporary Art Invitational Exhibition Portuguese Oriental Museum Spanish the year of 2018 Youth Art+Excellent Works Overseas Tour Stockholm Sweden" Seeking the Source" Reyes National Art Museum Portugal the year of 2018 Youth Art+Excellent Works Overseas Tour Stockholm Sweden" Seeking the Source" Reyes National Art Museum Portugal Summer Dream Poly Tour Exhibition China, Beijing the year 2017 The belt and road initiative Theme Series-Crossing China Cultural Center, Bangkok, Thailand Brazil Biennale-Youth Narrative Curitiba, Parana, Brazil Tokyo Expo Tokyo Japan the year of 2016 The migration of fisheries Paris France" Left West and Right East" Sino-US Cultural Exchange Exhibition Jiuquan Museum China, Gansu Annual Exhibition of Young Artists Promotion Program Contemporary Art Literature Exhibition Beijing In 2015International artists Christmas exhibition Berlin Poly "Yiqi" International Art Fair Shanshui Art Museum China, Beijing. Poly Ten Years Celebration Night Agriculture Exhibition Hall of Modern and Contemporary Art Department Beijing In 2014 Life of Everything, China Art Museum, China, Beijing Realism and Concept Nantong Art Museum Jiangsu China Realism and Concept Duolun Art Museum Shanghai China In 2013 The Re-creation of Contemporary China Art Inspired by Dunhuang; The China-America Association entered the China Art Museum. About America Shanghai Youth Art Exhibition China Art Palace Liu Haisu Art Museum Shanghai China Art 100 Young Artists Promotion Program Beijing, Shenzhen, Shanghai and Hong Kong In 2012. Ten Years of Modeling Art Museum of Central Academy of Fine Arts China, Beijing. Honorary award certificate: In 2020, it was approved by the China Federation of Literary and Art Circles Youth Literary and Art Creation Project. Honorary award certificate: In 2020, it was approved by the China Federation of Literary and Art Circles Youth Literary and Art Creation Project. In 2019, he was approved by the National Art Foundation's Young Artists Creation Plan Project. In 2016, "Seeking the Source Series" won the National Art Foundation-Talents Program Youth Art.Home promotion plan In 2013, "Life of Everything" won the New Star Award of the 2013 Shanghai Youth Art Exhibition. "Life of Everything" won the Outstanding Young Artist Award in Mingyuan Art Education. In 2012, "Seeking the Source" won the silver prize, Today Art Museum. In 2007, Youth Series won the second prize of Central Academy of Fine Arts. Periodical: History of mural copying research activities in the 1950s and 1960s of the Central Academy of Fine Arts. China Fine Arts News. Honorary collection of works: Central Academy of Fine Arts Art Museum, Shanghai Liu Haisu Art Museum, Today Art Museum. Shandong Province. Art Museum, Jinan Art Museum, China People's Revolutionary Military Museum, new york Huamei Association. China Art Museum, Berlin Art Museum and Casterot Art Museum. The goods were collected and awarded the honorary certificate of collection. |
